media

Heineken Light vs. Coors Light

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The Battle of the Facebook (FREE) Beer Gifts

Noticed today that Heineken Light had sponsored the "Gift of the Day" on Facebook and remembered that Coors Light did so a couple weeks back.

I found it interesting that in just one day, Heineken Light nearly sold out - with people giving away almost 275,000 of their beer gifts (25,000 more than Coors Light had available in total). Meanwhile, Coors Light still has 96,130 to yet give away after being available for two full weeks.

The question is, does any of this matter? Regardless of that, does it say anything about either brand? Is it simply a matter of the execution? I've got my thoughts, but first, I'd love to hear yours.

Please, let us know what you think in the comments...

A Few Worthwhile Reads

Some interesting things I came across yesterday and would like to post more on, but probably won't be able to for a day or two if at all, so for now, here are the links...

First, Dave Trott Live Chat via Scamp - Dave shares some great advice and thinking on how to get a job in this business and what he thinks makes for great advertising today. I also really liked Scamp's approach to this for two reason. First, Scamp wrote a post arguing that much of what Dave wrote 30 years ago on getting a job in advertising was irrelevant today and followed it up by allowing Dave to have a conversation with Scamp's readers to defend/explain himself on the Scamp blog. Second, I think using the comments section of a blog post to host an audience driven interview was a fantastic idea. Thanks to Alan (a.k.a. Tangerine Toad) for pointing it out via Twitter.

Second, Scholz & Friends has posted an interesting presentation titled Brands and Communication in the Era of Media Democracy that is well worth a look. For those browsing here, following is the slide show. For those reading this where it won't come through, here's a link.

Lastly, BMW has revealed some inspiring thinking on the future of car design that caught the attention of quite a few. I love that they ignored conventions and took a fresh look at things. A bit from the WInding Road post:

Chris Bangle, head of BMW Group Design, describes the philosophy behind this wildly innovative GINA Light Visionary Model as “Being flexible. Thinking flexible, acting flexible – context over dogma.”

A Must Read: What's Next In Media

Neil Perkin has posted an excellent presentation on where media is today and where he sees it heading. Take a few minutes to click through the slides, ponder it a bit, and then pass it along to others you know who are trying to sort it all out.

And by all means, share your thoughts with him in the comments to his post...

Fallon Brainfood: The Social 10

Didn't get around to sharing this one last week, but meant to do it. Sorry about that.

Fallon planner, Aki Spicer, shared his thoughts on 10 Trends Marketers Should Know About Social Networking at the agency's Brainfood lunch both with the agency and beyond by broadcasting live across several social media platforms so that anyone could watch if they were so inclined. Sounds like it went pretty well. Wish I could have caught it live.

Aki starts off with a good quote from William Gibson: "The future is here. It's just not evenly distributed yet."

Much of this is inline with some of what I've shared here throughout various posts and comments elsewhere. If you're following the social media conversations around the blogs, then I would say this is a really good round-up/recap of many of those ideas with some great case studies, quotes and implications to support exactly what he said this is, "a kind of social media 101."

Anyway, give it a go if you're looking for a good perspective on this topic. If you've got comments or thoughts, be sure to leave them for Aki over on the SlideShare or on the Fallon Planning blog post.

apple playing big brother?

Apple is being accused of playing Big Brother on people using the iPhone (and possibly Leopard) through a couple of the widgets. The post on 9to5Mac states that they are collecting info on individual users that could be used to build user profiles that includes data on travel, financial and banking preferences, work details and even personal browsing information.

Some Apple fans are rising to their defense saying that there is no harm being done here by Apple. I'm not an expert on what different bits of code mean, so I can't say who is right. Very ironic though that the company who took a jab at their competition using the Big Brother idea is now being accused of just that.

What's becoming more and more interesting to me is how apparent it really is that marketing and advertising have become the evil empire. Verizon faced some of this same scrutiny a while back when it sent out a letter letting it's customers know they would begin sharing information from their calling records with its “affiliates, agents and parent companies.”

Now that technology is getting to a point where we can start being served up relevant information to our lives instead of being barraged with a million things we don't care about, we're too jaded and distrustful of marketers too allow the sharing of our information that would enable this. I can't say I blame anyone for not wanting to share their information. There are plenty of bad things that cold happen from this.

I just find it interesting that by sharing this information, we could be relieved of some of the annoyance of having advertising that means nothing to us shoved in front of us; yet we don't trust companies enough with this information to make that pain go away.

found

petshop boys + integral video + qr codes = brilliant

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Pet Shop Boys are up to something interesting. They've taken their opposition to ID Cards to new heights by embedding QR Codes into the video for Integral to call attention specific issues of civil liberties.

But they didn't stop there. They are also encouraging people to participate by downloading PDFs of the stop frames, create their own video using them, and post it to a You Tube group dedicated to the user-made videos.

About the video, from the PSB site:

The video sets out to amplify the message of the song. The piece was conceived and created by The Rumpus Room as a multi platform project, having versions of the film for small hand held devices as well as large resolution screens. It is both a traditional piece of film and an interactive portal to online information and campaigns.

The video has over 100 QR Codes that are subliminal when watched in real time, but accessible to interact with if you navigate through the film using time controllers. The QR Codes are organised into sections that relate to specific issues of civil liberties.

It's a brilliant use of technology to help further a message that Chris and Neil clearly have a great deal of passion for. The challenge is, do their fans feel strongly enough about it as well to help spread the message and engage enough to create their own videos? Only time will tell, I suppose.

Side question/bet: How long before we see a brand mimic this in a commercial/web video? (Or has it already been done?)

walk it out, fosse

A great mash-up of Bob Fosse/Gwen Verdon and UNK. Found via House of Naked.

mii likey

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The Cool Hunter points out an interesting execution for Nintendo's highly popular Wii in Italy. Here's what they had to say:

"Retro video game iconic heroes have been making a come back for some time now. From T-shirts through to shoes, we have seen the likes of Mario, Donkey Kong and dare we say their rival, Sega's Sonic The Hedgehog plastering their pixelated faces all over some funky wears.
Hot on the heels of this fad, gaming giant Nintendo have promoted their latest baby Wii in Italy with this interesting wall display created by a series of posted notes. Behind each not lies a message inviting the recipient to relive the 80's through some classic games available on Wii. The post it notes make a nice 3D representation of a 2D pixel. Cute. By Andy G"

Not only do I like the execution's visual tie to the early Nintendo's blocky, pixel-based characters, I also like that the "ad" itself is interactive by nature and provokes participation by the viewer. This is a good reinforcement of the fun interactivity of the Wii, a core piece of what has led to its popularity.

2007 d&ad black pencil winning ooh/illustration

This was from a while back as well, but wanted to make sure and share it as these are pretty powerful ads. Adrants pointed out this campaign from Kolle Rebbe Werbeagentur in their daily email. It won a Black Pencil in the Illustration: Press Advertising category at the 2007 D&AD Global Awards. According to AdCritic, only two Black Pencils can be won per year, and it's rare that an Illustration entry makes the cut.

Misereorfull_2

Images courtesey of Kolle Rebbe.

it's not just network TV. it's a brand.

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Or it should be.

Just when I was starting to like ABC a little bit for putting their shows online so you can watch them when you want, where you want, they go and announce this a while back. What!? Do they really think the viewers are that easily fooled? That people will think they're still watching the show because one of the key characters sat down in front of a TV and now we're watching what they're watching and it happens to be three minutes of commercials? Is this what they call brand integration? Give me a break.

It seems to me that the networks (primarily ABC, CBS, NBC and FOX) could learn a thing or two from HBO. When you don't sell ad space, you better damn well create some good content (shows) that draws people to you and makes them willing to pay their hard-earned money to bring your brand into their home. (In fact, could all brands learn something from HBO about creating original content to support and/or build your brand image? Hmm... Maybe. Going to give that some thought later...)

How about instead of airing anything that gets by the FCC sensors so long as they get paid their going rate for it, they start looking at their networks more as brands and protecting those brands by carefully selecting everything that goes on air? (I seem to remember that at least ABC tried this once. With the bright yellow ads and black reversed out logo? Anyway...) In doing so, they start requiring that the ads companies/brands want to run on their network have to score at a certain level for things like interestingness, relevance, entertainment value, production value, or something like, "would make me NOT change the channel," to get put on air? * By requiring that EVERYTHING they put on their network helps build and strengthen the network's brand image, won't they be building a stronger following? (Hmm. There's a thought for helping the Super Bowl get back to having more good spots on the air in there. These last few years have been terribly disappointing.)

Why else should the networks start looking at themselves more as brands an not as much as paid media vehicles? Oh, I don't know. Maybe because now that commercial ratings are around the corner, brands are going to be able to see that people didn't actually see their spot because either it lost the consumer's interest or a spot that ran somewhere before it made them change the channel? Or maybe because the show it was airing during wasn't all that interesting on that particular night? Or maybe more importantly, because the number of homes only receiving broadcast TV is somewhere around 13-percent, if not lower by now, and making your network stand for something against the hundreds of other channels 87-percent of people are watching might be a good idea? And this doesn't even take into account things like Joost or Apple TV.

Maybe this all sounds crazy and some of you in the ad biz are thinking I'm off my rocker. I know more testing would require more dollars and those might have to come out of the overall budget. And believe me, I'm not one who gets up on the pulpit and preaches for more testing and research. If it becomes part of the standards though in order to get a spot on air, in order to make sure ALL of the spots running are of high quality, it's worth it in my opinion. Maybe budgets would just have to bump up a little bit. Or, God forbid, we have to be a little more critical of how we're spending our clients' money and try to find ways to make it happen while keeping the quality we require at the budget we currently have.

Ah yes, but you're already producing great spots that get watched not only on TV, but sought out on YouTube. Really? Do you know for sure they're being watched on TV? Or could it be that the spot right before yours, or two before yours, was so annoying or irrelevant that the majority of the viewers flipped the channel before they ever got to your award-winning work?

If something like the commercial ratings are going to help raise the creative bar, I say it's worth it. If brands and agencies are being made to create good TV ads because of it, like we all want to do (or at least I hope we all do), isn't that a good thing? If we start getting consumers to tune in, instead of tuning out, thereby actually helping increase sales and/or change behaviors, might that be a feather in our caps when it comes time for agency reviews? I don't imagine you'd get too big of a fight from the creatives on this. At least not those who give a shit about the quality of the work they produce for their clients. I don't know about you, but those are the ones I like working with.

And to be clear, I'm not saying that commercial ratings are the end-all-be-all. They're just a step in the right direction. They're a step towards requiring that the work improve. Just because a spot was watched, doesn't mean it was a great spot. And just because an ad didn't get watched, doesn't make it a bad ad. But knowing your spot was or wasn't watched is a lot better than what we have now and it gives us something to build upon. Building and improving things are, and always will be, good in my book.

*Disclaimer: Of course we'll still have to make it all relate to the product/brand in a way that will move whatever needle it is we're trying to move. I'm not supporting the idea of doing creative/entertaining commercials for the sake of being creative/entertaining. I never have and I never will. Work that is only creative/entertaining/provocative/etc. for the sake of being such is worthless in my humble opinion.

(photo credit)

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